I have found that when you finally come down to the day
the scene is going to be shotand you arrive on the location with the actors, having had the experience of already seeing some scenes shot, somehow it’s always different. You find out that you have not really explored the sceneto its fullest extent. You may have been thinking about it incorrectly, or you may simply not have discovered one of the variations which now in context with everything else that you have shotis simply better than anything you had previously thought of. The reality of the final moment, just before shooting, is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.